« We saw this as a chance to design more than a traditional bedroom. » For its first participation, MISIA collaborates with interior designer, Henri Fitzwilliam Lay to create the Bedroom Suite. Freed from the boundaries of time, this space, celebrating the centenary of Art Deco, unfolds like a true time capsule. By marrying raw textures, contemporary furniture and vintage pieces, the duo creates an atmosphere that is warm, gently nostalgic and turned towards the future.
From June 2 to July 2, the Design Centre Chelsea Harbour hosts a new edition of the WOW!House, the immersive experience where design comes to through the vision of different interior architects, each claiming a room of the house as their own.
For the Bedroom Suite, a singular encounter took shape: the one between MISIA and interior designer
Henri Fitzwilliam-Lay.
MISIA, whose creative universe draws precisely from this artistic heritage, translates this vision through a carefully curated selection of materials and patterns. The centerpiece of the room, the cotton and linen jacquard curtains in Riviera du Levant, raw and authentic, enter into dialogue with the stool upholstered in the Italian fabric Matin Calme. The walls, meanwhile, are entirely wrap in the Figuerolles Wall covering, enveloping the room in a warm and serene atmosphere.
The Bedroom Suite also bears the imprint of African art and a brutalist sensibility, which enrich the dialogue of influences. The paintings suspended above the sculpted wooden headboard are set against a background of Tramontana, a sheer fabric conceived as vast poetic breaths, inviting the eye to wander between texture and light. The bed is draped in a sumptuous alpaca bedspread, Dolce, whose softness evokes a discreet and timeless luxury, alongside a velvet jacquard whose geometry is rooted in the Art Deco movement, Damecuta.
Every accessory has been chosen to extend the narrative. Vintage suitcases dressed in
precious jacquards Le Poète Amoureux et Aperitivo, emblematic of the brand’s savoir-faire, sit alongside carefully sourced accessoires such as the umbrella in Chant des Cigales, and the Éléphant armchair by Jean-Michel Franck for Écart, upholstered in the infinitely soft velvet Sorella. Cut from the fabric Nuit de Jasmin, the dressing gown is adorned with delicate rounded motif, their golden threads casting a light that is at once precious and luxurious.
Brutalism,for its part, asserts itself with quiet confidence through concrete trays inlaid with verdigris panels, running from ceiling to doors like a deliberate structural signature. This blend of textures and influences makes the Bedroom Suite a singular space, one with a strong and assured identity, designed to evolve through time without ever feeling dated.
